Welcome to The Metropolitan Review

by The Editors

January 27, 2025

We are a quarter of the way through the new century, and the state of high culture is not what it should be. Individuals are no less brilliant, but there is a clear institutional lack. It’s as if the great publishers, film producers, and record labels can no longer provide us the artistic nourishment that…

The Idealist: A Novel Excerpt

by Tyson Duffy

September 19, 2026

“It should not be so goddamn hard,” my old man shrieked, “to communicate — !” Fall of 1993. I was 14 years old and the two of us were no longer simpatico. My father had blown his top, overnight gone from a complacent, kindly, eminently decent and beloved schoolteacher to an animal boiling with rage….

The Millennials Who Can’t Stop Thinking About Themselves: On Meaghan Oppenheimer’s Tell Me Lies

by Racheal Fest

September 18, 2026

The title of Hulu’s dark melodrama, Tell Me Lies, is an imperative. To read it is to put yourself in the willfully self-deluded position its ensemble of preternaturally beautiful late-aughts undergraduates occupy; like Lucy, Bree, and Pippa, like their male counterparts, Stephen, Evan, and Wrigley, we invite, nay, we demand, our share of falsehoods, comforting,…

When Autofiction Gets Violent: On Eduardo Halfon’s Tarantula

by Benjamin Clabault

September 16, 2026

In the early 1980s, an adolescent Eduardo Halfon, then living in Florida with his parents after fleeing the violence of the Guatemalan Civil War, returned to his home country to attend a camp for Jewish children. For the first few days, the experience was typical enough — expeditions into the forest, lessons in survival techniques,…

“Captives”

by Caitlin Castelaz

September 13, 2026

I caught him in his bathroom dumping live fish / on account of he was moving house. If he loved me / he’d set the fish down right this instant! / He didn’t love me but he liked me well enough / to stop, to drive across town, over speed bumps, / to his new place, me with that…

The Great Wound: On Rachel Cusk’s Life of M

by Thomas Peermohamed Lambert

September 11, 2026

Something awful happens when you start to achieve a degree of success as a writer. All of a sudden, people sidle up to you at parties, stick up their hands at your readings, and ask questions about things other than your book. At first, all they really want to know about is your “writing process”:…

The Oppressor’s Jokes Punch Up: On Jordy Rosenberg’s Night Night Fawn

by Christina Drill

September 9, 2026

In the first 10 pages of Jordy Rosenberg’s second novel, Night Night Fawn, the walls are already closing in on the novel’s narrator, Barbara Rosenberg. She is trapped in her cramped 14th-floor apartment on East 69th Street and Second Avenue — “an address in which, as everybody knows, there is no honor” — the same…

Why Is Everything So Ugly? A Roundtable Discussion

by Youmna Melhem Chamieh

September 5, 2026

Late this January, encouraged by the sheer familiarity of a vertical motion — snow’s impersonal descent over the neighborhood, creaking freshly underfoot; its vicious rise, so steep, to the mnemonic occasion — questions around the ugliness of everything began to take on renewed urgency across the mind’s more circular regions. To help make much-needed headway

Fly Me to the Sun: On A. Natasha Joukovsky’s Medium Rare

by John-Paul Heil

September 4, 2026

Ironically, the Greeks and Romans were pretty goth. As a Roman tombstone tells us, “We are, and we were, nothing. See, reader, how quickly us mortals come from nothing and return to nothing.” Okay, maybe that’s a little long for a Hot Topic t-shirt, but how about this one? Non fui, fui, non sum, non curo —…

Smells Like Spirit: On Adam Voith’s Recommended If You Like

by Ryan Chapman

September 2, 2026

Cards on the table: there is no God, and Christian rock cannot achieve greatness. Chances are you agree with the latter; to each their own with the former. John Jeremiah Sullivan, in his GQ classic “Upon This Rock” of 2004, claimed the genre had “excellence-proofed itself”: It’s message music for listeners who know the message cold, and,…

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