Welcome to The Metropolitan Review

by The Editors

January 27, 2025

We are a quarter of the way through the new century, and the state of high culture is not what it should be. Individuals are no less brilliant, but there is a clear institutional lack. It’s as if the great publishers, film producers, and record labels can no longer provide us the artistic nourishment that…

Would You Rather Have Married Young?: On Lena Dunham, Sally Rooney, and The End of Experience

by Lillian Fishman

February 23, 2025

In an iconic episode of Girls, “One Man’s Trash,” Hannah spontaneously spends a weekend with a hot, respectful doctor in his expensive brownstone. After a couple of sublime days in his house she suffers a moment of shameful envy. “Please don’t tell anyone this,” she says, in tears, “but I want to be happy.” Doctor: Of…

Paperback Vibrators and the Pragmatic Evasions of Literary Men: On Gender in Contemporary Fiction

by Django Ellenhorn

February 19, 2025

I want to begin with what this is not. A definition by negation. Two exes have accused me of doing this trick all the time. It feels relevant to mention only because, as with most things in a guy’s life, this is all about women. Writing anything about the woes of young men in contemporary…

The Moral Authority of a Body: On Kate Manne’s Unshrinking: How to Face Fatphobia

by Justin Smith-Ruiu

March 18, 2025

Kate Manne’s Unshrinking is very successful in achieving the ends it sets for itself. It is an exemplary trade book, and we may expect it to win some prizes, and to be an absolute hit in the book clubs. Part of what is involved in being an exemplary trade book in 2025 is the display of a…

“Ten Years of Useless Labor”: On Danzy Senza’s Colored Television

by Jon Repetti

March 14, 2025

Danzy Senna’s Colored Television spent last summer winning praise from the usual legacy publications as The Novel We Need Right Now: A serious book by a seasoned author willing to sink her teeth into debates around race and class, “representation” and “inclusion” in post-2020 America. Senna has traversed this terrain for a quarter-century in fiction and memoir,…

The Magic Eye: On the Art (and Life) of Joan Mitchell

by Annie Fell

March 13, 2025

A couple years ago, I got the idea that I should spend a week in Paris by myself. Considering I have a boyfriend who could have gone with me and that, perhaps more pertinently, I don’t speak French, the decision was confusing to a handful of people I know. I was satisfied by my own…

Toward a Sordid Utopia?: On Becca Rothfeld’s All Things Are Too Small

by Julius Taranto

March 10, 2025

The writer Lore Segal — known in particular for Other People’s Houses, her novelized account of fleeing Nazi-occupied Austria as a ten-year-old — once asked Vivian Gornick to explain feminism. “What is it that you want? I don’t think I’ve ever understood,” Segal said. Startled to be asked such a question in the early 2000s, Gornick…

Stalking the Trillion-Footed Digital Beast: On Udith Dematagoda’s Agonist

by GD Dess

March 9, 2025

Whatever your feelings about the internet and its tortuous torrential stream of information, misinformation, fragments of dialogue, rants, advertisements, etc., it is, for better or worse — good or evil — totalizing in its effects, and here to stay. Social media, as part of the online ecosystem, has made its own insidious specific contributions as…

It Wasn’t Real, But It Was Beautiful: On the WWE Holiday Tour Live and Gabe Habash’s Stephen Florida

by Olivia Cheng

March 7, 2025

Last year, on the day after Christmas, I went alone to the WWE Holiday Tour Live at Madison Square Garden, where I sat in nosebleed seats. I wore a plaid button-down shirt and black jeans. I listened to “Danza Kuduro” on repeat on the half-hour walk from my apartment. My life was stable for the…

Torture, Survivorship, and the Lens of Youth: On RaMell Ross’ Nickel Boys

by Felipe Cabrera

March 5, 2025

Nickel Boys is the story of Elwood Curtis (Ethan Herisse) and Jack Turner (Brandon Wilson), a pair of black youth, one idealistic, the other cynical, who are snatched from their families and placed into a juvenile reformatory where students are routinely tortured. The story is a fiction based on the real Arthur G. Dozier School…