
Amputation : An Exclusive Excerpt from Bruce Wagner’s Forthcoming Novel
The night before, Trooper the Surfer was way up in the Highlands fooling around with the trans bros—most of them were topless but still had pussies—he wasn’t a chaser but met one at the beach (Rory) who said he ‘cracked the egg about a year ago and had top surgery.’ Trooper gave his stock lifestyle-response, his Pete Davidson/Chad ‘Cool,’ and Rory, smiling with a degree of seriousness, said, ‘I’m making my own decisions. I’m my own legal guardian and people don’t understand that.’ He invited the surfer over and whoa the manse was a fuckin motherlode. Trooper’s uncle couldn’t believe all the shit he stole—the trans bros were so rich they didn’t notice or care. His uncle said, ‘Hell, we need to go back,’ but they never got it together. But now the fires were coming and the unbreasted coven was comatose from G—all of them AirPodded except Rory, who loved his cheap Dóttir Freedoms headphones, and Jank, who loved his (Dad’s) $8,000 HIFIMAN Susvara Planar Magnetics—so no one heard the cold, cyclonic 80 mph Santa Anas—Didion and Ray Chandler wouldn’t know a cold Santa Ana if it super-scooped them from the grave, but that’s what it was—cold, cold, cold—all were oblivious to the embers ghost gust-riding the winds to dance with the detonated nitrous tanks in the guest house stocked for the Armin van Buuren DJ’d dumbly titled ‘Fyre Too!’ house party fest set for tomorrow. Nor did they watch the roof/walls blow out and marry the firestorm—nor see the cathedral-size canyon overlook living room window explode, instantly severing the Neo Rauch Die Herrin canvas (and Jank’s left subclavian). Nor could they witness the on-fire cougar studded with fatal shrapnel quills that cannonballed into the tableau like some animatronic loser fleeing di Cosimo’s great painting of a forest inferno; nor hear its sick-making stereophonic scream or smell the febrile anal bloodstink of its extirpation at the foot of the melted Basquiat black crowned king (a gift from Mom to Dad) and the melty Kara Walker and smelting steel-titted Louise Bourgeois’s The Good Mother (gift from Dad to Mom). Eerily, their cadavers were preserved (mostly) by a timely windblown plash of pink retardant, enough for an astute fireman to note in the aftermath that each had the same horizontal sub-aureole scar, i.e. what was believed to be a rich boys’ sleepover was amended by the coroner to a gaggle of FTM twinks.