Welcome to The Metropolitan Review

by The Editors

January 27, 2025

We are a quarter of the way through the new century, and the state of high culture is not what it should be. Individuals are no less brilliant, but there is a clear institutional lack. It’s as if the great publishers, film producers, and record labels can no longer provide us the artistic nourishment that…

The Last Contract: William T. Vollmann’s Battle to Publish an American Epic

by Alexander Sorondo

March 21, 2025

A few years ago, the novelist William T. Vollmann was diagnosed with colon cancer. The prognosis wasn’t great but he went ahead with the treatment. A length of intestine drawn out and snipped. It was awful but it worked. The cancer went into remission. Then his daughter died. Then he got dropped by his publisher….

Ross Douthat’s Sandbox Universe: On Believe: Why Everyone Should Be Religious

by Gemma Mason

March 19, 2025

All apologetics are bold. You need guts to ask someone to reconsider their entire worldview. Viewed in that light, Ross Douthat’s Believe: Why Everyone Should Be Religious might seem like a more modest entry to the genre. Douthat, one of the few right-leaning columnists at the New York Times, stops short of asking everyone to join him in…

The Moral Authority of a Body: On Kate Manne’s Unshrinking: How to Face Fatphobia

by Justin Smith-Ruiu

March 18, 2025

Kate Manne’s Unshrinking is very successful in achieving the ends it sets for itself. It is an exemplary trade book, and we may expect it to win some prizes, and to be an absolute hit in the book clubs. Part of what is involved in being an exemplary trade book in 2025 is the display of a…

“Ten Years of Useless Labor”: On Danzy Senza’s Colored Television

by Jon Repetti

March 14, 2025

Danzy Senna’s Colored Television spent last summer winning praise from the usual legacy publications as The Novel We Need Right Now: A serious book by a seasoned author willing to sink her teeth into debates around race and class, “representation” and “inclusion” in post-2020 America. Senna has traversed this terrain for a quarter-century in fiction and memoir,…

The Magic Eye: On the Art (and Life) of Joan Mitchell

by Annie Fell

March 13, 2025

A couple years ago, I got the idea that I should spend a week in Paris by myself. Considering I have a boyfriend who could have gone with me and that, perhaps more pertinently, I don’t speak French, the decision was confusing to a handful of people I know. I was satisfied by my own…

Toward a Sordid Utopia?: On Becca Rothfeld’s All Things Are Too Small

by Julius Taranto

March 10, 2025

The writer Lore Segal — known in particular for Other People’s Houses, her novelized account of fleeing Nazi-occupied Austria as a ten-year-old — once asked Vivian Gornick to explain feminism. “What is it that you want? I don’t think I’ve ever understood,” Segal said. Startled to be asked such a question in the early 2000s, Gornick…

Stalking the Trillion-Footed Digital Beast: On Udith Dematagoda’s Agonist

by GD Dess

March 9, 2025

Whatever your feelings about the internet and its tortuous torrential stream of information, misinformation, fragments of dialogue, rants, advertisements, etc., it is, for better or worse — good or evil — totalizing in its effects, and here to stay. Social media, as part of the online ecosystem, has made its own insidious specific contributions as…

It Wasn’t Real, But It Was Beautiful: On the WWE Holiday Tour Live and Gabe Habash’s Stephen Florida

by Olivia Cheng

March 7, 2025

Last year, on the day after Christmas, I went alone to the WWE Holiday Tour Live at Madison Square Garden, where I sat in nosebleed seats. I wore a plaid button-down shirt and black jeans. I listened to “Danza Kuduro” on repeat on the half-hour walk from my apartment. My life was stable for the…

Torture, Survivorship, and the Lens of Youth: On RaMell Ross’ Nickel Boys

by Felipe Cabrera

March 5, 2025

Nickel Boys is the story of Elwood Curtis (Ethan Herisse) and Jack Turner (Brandon Wilson), a pair of black youth, one idealistic, the other cynical, who are snatched from their families and placed into a juvenile reformatory where students are routinely tortured. The story is a fiction based on the real Arthur G. Dozier School…