Nothing is Over: On Rioting in the Contemporary American Novel

For the past 35 years or so, the Black working class and their accomplices have rioted against the police across different cities with increasing regularity. I want to be clear: I am not talking about protest. I am talking about riots, uprisings, and rebellions where property is looted, fires burn, rocks are thrown, and tear gas is deployed. In 2020, by the police’s count, there were riots in dozens of American cities. Occasionally, the contemporary riot will be large groups of black-clad anarchists (many of whom are white, though not all) and other radical activists running wild in the streets. These street battles happened prior to Ferguson too.

Searching for Bigger: Where is the Black Working Class in Contemporary Literary Fiction?

A century ago, Claude McKay published Home to Harlem, a novel narrating Black working-class experiences in the eponymous Black Mecca in the aftermath of the First World War. Home to Harlem is considered to be one of the first successful Black novels and was a seminal text of the Harlem Renaissance. W.E.B. Du Bois hated it. Du Bois wrote after reading the novel that “after the dirtier parts of its filth I feel distinctly like taking a bath.” The reality is that Du Bois saw novels that depicted the lives of Harlem in the streets, brothels, the shipyards and the cabarets as fantastical and catering to a white audience. This couldn’t be further from the truth.